abbonamento annuale 43,90 euro (Italia), 50,61 euro (estero) ISSN 1126-0890
Indice generale
Roberto Campagner, “Pari e caffo” di un cocco di mamma: dal Mimiambo III di Eronda, 7 Nilda Guglielmi, Educación, ocio y pasatiempos. Notas florentinas, siglos XIV-XV, 18 Cristina Legimi, La danza nel pensiero medievale tra esegesi e predicazione, 26 Dagoberto Markl, Le duc, les échecs et la métaphore du bon gouvernement, 53
“The Doctor on the Stage” (guest editor Robert Jütte) Robert Jütte, Introduction, 63 Alessandra Rizzi, Medicine of the soul, medicine of the body at the end of the Middle Ages, 72 Alessandro Arcangeli, Dance between disease and cure: the tarantella and the physician, 88 Maren Goltz, The role of music on the stages of quacks, 103 Anat Feinberg, Quacks and Mountebanks in Stuart and Caroline Drama, 116 Ole Peter Grell, From God to Devil: Self-presentation and Performance by early modern Physicians and Surgeons, 127 M.A. Katritzky, Gendering tooth-drawers on the stage, 144 Gerda Bonderup, Performance in Medicine in Denmark during the XVII and XVIII Centuries, 182 Claudia Stein, The Function of the Quack as a Means of Group Distinction in the Medical Community of Sixteenth-Century Augsburg, 192 David Gentilcore, ''Tutti i modi che adoprano i ceretani per far bezzi'': Towards a database of Italian charlatans, 201 María Luz López Terrada, Medical pluralism in a Renaissance city: the case of Valencia, 216 Kerstin Retemeyer, Zum Agieren von Scharlatanen und Lachsnern in Zürich im 17.-18. Jahrhundert, 233 Colin Jones, The Arts of Quackery in early modern Europe, 258
